2026
04
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Exhibition Text for Solo Exhibition "The Height of the Domain" (April 2025) - Up until now, I have created sculptures while contemplating "volume and distance"—the size and weight of objects and their relationship to space. In recent years, I have been using elements such as constellations, light, and time as motifs. These are not merely subjects, but rather "tools" for touching upon invisible "volume" and "distance." For example, I have incorporated a structure where small holes are made in the arrangement of constellations, allowing light to pass through. I believe that as light passes through the sculpture, depth and thickness are created, and a sense of "time"—the way the light reaches—emerges. For this exhibition, I have also created works using old constellations that are no longer in use, such as "Phosphorus" and "Argo." While researching these, I realized that the "lines" that were drawn to connect the stars had disappeared along with the constellations. People have drawn lines connecting stars in the sky over long periods of time. I feel a sense of physicality in this repeated act. This time, I created works that are small enough to be held by one person at most. I believe that the feeling of reaching out to draw lines in the sky and the sense of scale of a sculpture that fits in your arms, while existing in different dimensions, are somehow connected. We can understand the vastness of the universe intellectually. However, we don't truly feel it within our bodies. But by rethinking stars as "light that fits in the palm of your hand," I believe we can feel the "quantity" and "weight" surrounding them through our own bodies. Momoko Kimura


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Target and position
(From the text distributed at the venue) This work addresses the questions of how to give concrete form to the formless (from abstract to concrete) and what meaning to find in tangible things (from concrete to abstract). Based on research conducted in Tsushima, Nagasaki Prefecture, this work focuses on the Myoken faith (a belief in the North Star and the Big Dipper), which is rare in Japan. Through the night view of the port town and interactions with the people of the fishing village, I experienced firsthand how the North Star and the Big Dipper are associated with navigation and worship, and I reflected this in the work. In this work, elements include a ship made of tree branches resembling the darkness of night, the Big Dipper connected with the fruits of the Koelreuteria paniculata tree (said to be the origin of prayer beads), and natural objects such as fish eyes and tree roots used to represent stars. What forms do invisible thoughts and beliefs take? I aimed for an expression that oscillates between abstraction and concreteness, drawing meaning from materials around me.
Photo: Rei Higashima
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Photo: Kenji Aoki

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This is the project description section. Please provide a brief explanation so that site visitors can understand the work and its background. Click "Edit Text" or the text box.
This is the project description section. Please provide a brief explanation so that site visitors can understand the work and its background. Click "Edit Text" or the text box.
Photo: Kai Maetani






































